MANILA, Philippines - Pusong Bato by Martika Ramirez Escobar was named Best Short Film in the 11th Cinemalaya Independent Film Festival and Competition, which this year was held only in the Short Feature category, while the Special Jury Prize and the NETPAC Award was given to Wawa by Angelie Mae Macalanda in the Cinemalaya Awards program held last Aug. 15 at the Cultural Center of the Philippines’ Little Theater.
Praised “for its playfulness in telling a story, for creating tension between nostalgia and loneliness and for taking risks without being absurd,” Pusong Bato is about a middle-aged faded actress who tries to relive her glory days as a movie star in the ’70s by watching films at home every day until an earthquake rouses her from her Hollywood dream.
As Best Short Film winner, Pusong Bato won a cash prize of P150,000 and the Balanghai trophy.
Wawa won the Special Jury Prize for “its engaging use of location to evoke longing and for its poetic depiction of grief” and the NETPAC Award for “its evocation of grief and the impermanence of life by a grippingly visual funeral ceremony on the river. Wawa is about a young boy’s journey as he, with others, take his father to his final resting place.”
The Best Direction award went to Petersen Vargas for his Lisyun Qng Geografia. Petersen was cited for his “effective harnessing of the technical elements of filmmaking in telling a simple story” of a boy who finds an old map that triggers him to retrace the places that are special to him and his high school best friend.
The Best Screenplay Award was given to Darwin Novicio for Papetir which he also directed. Papetir was cited “for its interesting presentation of contrast in what is being stated and what is actually happening.”
Sanctissima, a film about a girl who lives alone in the dark with an even darker secret, by Kenneth Dagatan won the Audience Choice Award. As Audience Choice winner, Kenneth won a cash prize of P25,000.
The 10 finalists for the 2016 Cinemalaya Main Competition (Full Length Feature) were also announced during the Awards Night. The finalists will receive production grants of P750,000 each, up from the previous P500,000 of previous years.
The Main Competition finalists are: Ang Bagong Pamilya Ni Ponching by Inna Salazar and Victor Villanueva; Ang Mga Bisita Ni Mamang by Janice O’Hara and Denise O’Hara; Dagsin by Atom Magadia; Hiblang Abo by Ralston Jover; I America by Ivan Andrew Payawal; Kusina by David Corpuz and Cenon Palomares; Lando At Bugoy by Vic Acedillo Jr.; Mercury Is Mine by Jason Paul Laxamana; Pamilya Ordinaryo by Eduardo Roy Jr; and Tuos by Derick Cabrido.
Cinemalaya 2016 will be held on Aug. 5 to 14 next year at the CCP and other festival venues.
Now on its 11th year, Cinemalaya is expanding its mission to the training of practitioners in key aspects of film production and serving as an inspiration to independent filmmaking in Asia. It opened the Cinemalaya Institute offering short courses in Film Producing, Screenwriting and Directing.
Cinemalaya is a project of the Cinemalaya Foundation, Inc. and the Cultural Center of the Philippines.
Established in 2005, Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers.
Cinemalaya is the Philippines’ leading independent film festival and competition. To date, Cinemalaya has supported and promoted the production of 118 full-feature independent films and 96 short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics and art films.
For details, visit www.cinemalaya.org, www.culturalcenter.gov.ph and the Cinemalaya Facebook page or CCP Media Arts Office at tel. no. 832-1125 loc. 1704-1705 and the CCP Box Office at 832-3704.